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Inhabi-Table
@AntePavilion competition

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LOVE 19

Inhabi-Table

@AntePavilion competition

London,

2020

Love19 is an inhabitable, performative sculpture with a multiple nature: a table at the scale of architecture, a scenographic shelter, a permeable enfilade, made of hollow columns to be climbed - a roof to sit on, to admire the city and landscape from a unusual perspective.

Each column opens upwards, transforming itself into a lightweight fan vault: all together, juxtaposed and intersected, they give life to a shaded corridor, in which the light playfully manifests itself between the ribs and the curtains. The columns build an horizontal thick surface, flattened in the part facing the sky, at a height of 3.15 m As suspended garlands, each module is in fact composed of 48 flags of various shapes, in translucent white fabric, which wrap two rows of tennis referee chairs and support two sequences of green metal sunburst sticks.

This hanging elevated table - a geometric interweaving of 912 artificial foliage - features considerable dimensions: it's 17.35 meters long and 5.60 meters wide. Below it, between 40 and 50 people can linger simultaneously. At the table, however, there are only 19 seats. The exception creates the entrance, otherwise each diner sits 2.60 meters from those in front and 1.60 meters from those on the sides.

These are the dimensional parameters that quantify the artefact - the result of a diligent reflection on the current times. However, Love19 offers an alternative to the sadly recurring ready-to-use solutions - those that attempt to change directly and quickly certain rooted behaviours, established over time. Bodily relationships can be designed, rethought, even fabricated, but - fortunately - not controlled. They can't be measured in centimetres.

Love19 does not try to constrain, to adjust: it re-shuffles the proportions between space and objects, it aims to alter the foundations of perception and motor coordination that regulate the ordinary - it claims to stimulate a radically new use of the body. Love19 is designed to suggest, but it opens up to instinct, intuition, a physicality free to transform itself. Love19 invites - with pragmatic optimism - to rethink, creatively, movements and devices for the public space.

Designed by

Lemonot

Inhabi-Table

@AntePavilion competition

London

2020

Love19 is an inhabitable, performative sculpture with a multiple nature: a table at the scale of architecture, a scenographic shelter, a permeable enfilade, made of hollow columns to be climbed - a roof to sit on, to admire the city and landscape from a unusual perspective.


Each column opens upwards, transforming itself into a lightweight fan vault: all together, juxtaposed and intersected, they give life to a shaded corridor, in which the light playfully manifests itself between the ribs and the curtains. The columns build an horizontal thick surface, flattened in the part facing the sky, at a height of 3.15 m As suspended garlands, each module is in fact composed of 48 flags of various shapes, in translucent white fabric, which wrap two rows of tennis referee chairs and support two sequences of green metal sunburst sticks.


This hanging elevated table - a geometric interweaving of 912 artificial foliage - features considerable dimensions: it's 17.35 meters long and 5.60 meters wide. Below it, between 40 and 50 people can linger simultaneously. At the table, however, there are only 19 seats. The exception creates the entrance, otherwise each diner sits 2.60 meters from those in front and 1.60 meters from those on the sides.


These are the dimensional parameters that quantify the artefact - the result of a diligent reflection on the current times. However, Love19 offers an alternative to the sadly recurring ready-to-use solutions - those that attempt to change directly and quickly certain rooted behaviours, established over time. Bodily relationships can be designed, rethought, even fabricated, but - fortunately - not controlled. They can't be measured in centimetres.


Love19 does not try to constrain, to adjust: it re-shuffles the proportions between space and objects, it aims to alter the foundations of perception and motor coordination that regulate the ordinary - it claims to stimulate a radically new use of the body. Love19 is designed to suggest, but it opens up to instinct, intuition, a physicality free to transform itself. Love19 invites - with pragmatic optimism - to rethink, creatively, movements and devices for the public space.


Designed by

Lemonot

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lemonot

Sabrina Morreale, AA Dipl
Lorenzo Perri, AA Dipl (Hons)

London / Prato

projects@lemonot.co.uk

ABOUT

This is Tooltip!

Sabrina Morreale and Lorenzo Perri are architects, educators and founding partners of Lemonot – a duo for spatial and relational practices, architecture and performative arts. We graduated together at the Architectural Association and we’re now based between London and Italy.

Our projects re-invent the relationship between urban fabric and human rituals through a wide range of media: pavilions, exhibitions, short films and designed performances. We relentlessly seek new forms of togetherness, with a contextual yet transterritorial approach that aims to detect, celebrate and trigger the spontaneous theatre of everyday life. 

We experiment with the language of artistic strategies in public space, empowering alternative narratives and unexpected interactions – to initiate unconventional acts of place-making. We explore how architects can contribute to a peculiar reinterpretation of the city, defining novel 1:1 experiences through short and long-term occupational strategies. Dealing with multiple stakeholders at the same time, we often intervene as both facilitators and designers – constructing supporting spatial structures to make things happen.

Our constant engagement in academia is a crucial part of Lemonot. In 2018-19, we taught as Adjunct Professors at INDA in Bangkok and we’ve been Programme Heads of the AA Visiting School El Alto (Bolivia). Lorenzo taught at the University of Applied Arts Vienna  (dieAngewandte) in Architectural Studio 1 from 2020 to 2023, while Sabrina is currently Studio Master in the Foundation Course at the AA in London. Together, we now lead the Architectural Design Studio 7: Convivial-ism at the Royal College of Art in London. 

We collaborate with several cultural institution – including Arquine, La Biennale di Venezia, DPR Barcelona, LINA European Architecture Platform, S AM Basel, Architecture at the Edge (West Ireland) – and our projects have been exhibited and awarded internationally: among the others, at the Young Talent Architecture Award 2016, at the ATT19 Gallery in Bangkok, at the RIBA, at Vienna Design Week, at Bangkok Design Week, at Milan Design Week, at Archifest Singapore 2019, at Mextropoli 2021 in Mexico City, at FAR-Architecture Festival of Rome 2022 and at CAFx Copenhagen Architecture Film Festival 2023.

Furthermore, Lemonot is one of the 9 selected architectural practices for the Padiglione Italia – curated by Fosbury Architecture – of the Venice Architecture Biennale 2023, and Sabrina has been appointed as the 2024 Enel Foundation Italian Fellow in Architecture at the American Academy in Rome.

Lina Fellows 2022/2023

“Spaziale” – Padiglione Italia, Venice Architecture Biennale, 2023

close-40
This is Tooltip!
lemonot

Sabrina Morreale, AA Dipl
Lorenzo Perri, AA Dipl (Hons)

London, Vienna, Stockholm, La Paz and Italy

projects@lemonot.co.uk

ABOUT

This is Tooltip!

Sabrina Morreale and Lorenzo Perri are architects, educators and founding partners of Lemonot – a duo for spatial and relational practices, architecture and performative arts. We graduated together at the Architectural Association and we’re now based between London and Italy.

Our projects re-invent the relationship between urban fabric and human rituals through a wide range of media: pavilions, exhibitions, short films and designed performances. We relentlessly seek new forms of togetherness, with a contextual yet transterritorial approach that aims to detect, celebrate and trigger the spontaneous theatre of everyday life. 

We experiment with the language of artistic strategies in public space, empowering alternative narratives and unexpected interactions – to initiate unconventional acts of place-making. We explore how architects can contribute to a peculiar reinterpretation of the city, defining novel 1:1 experiences through short and long-term occupational strategies. Dealing with multiple stakeholders at the same time, we often intervene as both facilitators and designers – constructing supporting spatial structures to make things happen.

Our constant engagement in academia is a crucial part of Lemonot. In 2018-19, we taught as Adjunct Professors at INDA in Bangkok and we’ve been Programme Heads of the AA Visiting School El Alto (Bolivia). Lorenzo taught at the University of Applied Arts Vienna  (dieAngewandte) in Architectural Studio 1 from 2020 to 2023, while Sabrina is currently Studio Master in the Foundation Course at the AA in London. Together, we now lead the Architectural Design Studio 7: Convivial-ism at the Royal College of Art in London. 

We collaborate with several cultural institution – including Arquine, La Biennale di Venezia, DPR Barcelona, LINA European Architecture Platform, S AM Basel, Architecture at the Edge (West Ireland) – and our projects have been exhibited and awarded internationally: among the others, at the Young Talent Architecture Award 2016, at the ATT19 Gallery in Bangkok, at the RIBA, at Vienna Design Week, at Bangkok Design Week, at Milan Design Week, at Archifest Singapore 2019, at Mextropoli 2021 in Mexico City, at FAR-Architecture Festival of Rome 2022 and at CAFx Copenhagen Architecture Film Festival 2023.

Furthermore, Lemonot is one of the 9 selected architectural practices for the Padiglione Italia – curated by Fosbury Architecture – of the Venice Architecture Biennale 2023, and Sabrina has been appointed as the 2024 Enel Foundation Italian Fellow in Architecture at the American Academy in Rome.

Lina Fellows 2022/2023

“Spaziale” – Padiglione Italia, Venice Architecture Biennale, 2023